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Another musician replied re: this tune. (These postings are from 2004)
Mike Durham wrote; <<Yama Yama: Paul, where did you find the info about the lyric concerning 'stage-door johnnies'? I'm now quite hooked on finding out all about this thing. I saw references (can't remember where, dammit!) to Halloween in regard to the song, which would fit the lyric as sung by Jimmy Stanislaus with Turk's band. The original sheet music, on file at the University of Indiana, has words like Jimmy's, and nothing to do with stage doors! "Every little tot at night is afraid of the dark you know Some big Yama Man he sees when up to bed he must go....etc, then the chorus: Yama Yama, the Yama Man, terrible eyes and a face of tan If you don't watch out he'll get you without a doubt If he can" etc, etc. Did your lyrics maybe come from one of the two films that featured the song - it was in the 1939 RKO Rogers/Astaire "Vernon & Irene Castle Story" and again in Warner's "Look For The Silver Lining" in 1949. Any help you can give much appreciated: and I too love Monk, I keep hearing echoes of Jelly Roll and the stride guys in his playing, also love his compositions.... Yours from behind the big chair, Mike D.>>
Well Mike, The more I researched, the more that was revealed. Don't know where to start. OK, I'll just start. The song was published by M. Witmark & Sons in 1908. So it sez on the sheet music. The Lyrics that you know were written by Colin Davis, with Music by Karll Hoschna. Davis is credited right under the title in the middle of the page. But above the title (YYM) in big bold letters is the name of the production; "Three Twins". And under that it says Chas. Dickson's Musical adaptation of Mrs. R Pacheco's comedy "Incog". The word doesn't make sense to me. The last letter looks like a G, Whoops!! It makes sense, now. It's short for incognito. It all ties together. All this print is in a middle panel box. On the left side of the box there is a female dressed up in a clown outfit, complete with the pointed clown cap and fluffy white ball at the top. And three big round fluffy balls going down the front of the outfit. (Get it? a clown disgise.) She is facing right, (towards the panel on the right side of the middle) containing a dapper gentleman holding and looking at a picture of himself. Now the plot thickens. Down at the very bottom of the cover in even bigger lettering, Hoschena is credited with the music, BUT Lyrics are credited to O. (Otto) A. Harbach. I suspect that it is he who wrote the two extra verses below. They are on the Ada Jones / Victor Light Opera Company recording, Victor 16326-B. But he is not credited on the label. But Davis and Hoschna are. Also the 2nd verse which you know as; "Great big Starry eyes you see, so you cover up your head.....", is not included on the record. It is verse one, only; "Ev-ry - little tot at night........"
Folowed by these next two verses. Of course with chorus's in between.
Verse two; The Johnny's - they - go to see the play but they don't care for the plot
They - want - to see if all the girls are wearing much or not
(Pretty risque for 1908)
Verse 3; A man - sold - some powder goods for bugs But the man he must have lied
It - wasn't - good for bugs at all The poor little bugs all died
So, it seems more and more that this song was focused more towards a con man type with ulterier motives, and performed with an innocent or naive delivery. I'd assume that the song was sung by the character in the clown outfit. who in the drawing on the cover is wearing something like cotton gloves, but without the extended long fingers, as in later copies of the sheet music. Or as in the version that Ginger Rogers did in "The Story Of Vernon and Irene Castle. Maybe, as a whole number, she (The character in the 1908 show) was imitating the gestures of an innocent little girl. Partially like Ginger did it in the "Castle" flick.It actually is starting to sound like a pretty 'hip' plot. Boy meets girl, girl finds out what boy is all about, girl nails boy, and he "honey do's" her for the rest of his life. Or straigtens up his act. Does sound a little like a Fred and Ginger scenario, but it was before their time.
I'd love to find that book "Incog"
Regarding the New Orleans lullabye part. Now, doesnt it seem more believable that the song was adapted into that N.O. mode concearning a dude with a tan face considered to be a spooky character. Truly, the song definately did not originate in New Orleans. Moral; Mike!! Don't believe everything you read in liner notes on albums. Their was a lot of false P.R. (not yours truly) dreamed up by Columbia Records people to promote the original release of the BG 38 Carnegie Hall concert. If you want to know more about all that, pick up the digitally remastered COMPLETE concert with tunes that were deleted from all other releases. The liner notes are extensive and reveal a lot.
>From behind the descant, back to you in your comfortable big chair.
Paul (Is Yama Yama like 'blah blah blah", or 'yahdda yahdda yahdda'?) Reid Uh-ohhhh. sounds like the start of another rumor.
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